Eric Goh pieces together a history of Taman Sari, reading between the lines of existing sources and questioning how we write art.

In a wide-ranging survey of sources, Simon tells a story of how nature was implicated in the colonial project of making of the Malay archipelago.

Welyn dwells into the world of Pua Kumbu heritage as it is trafficked between world heritage-making, grassroots activism and state preservation projects.

With Welyne Jehom, we explore the significance of Pua Kumbu textiles for Iban women and their community, and how this has changed in recent times.